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His and Hers drops you into a murder that seems simple until it twists. A journalist with a past in the town, a detective with secrets, and a truth that refuses to stay buried. Every choice has weight, every silence speaks. By the end, you’re left wondering: if the truth could destroy everything, would you still tell it? Netflix’s His and Hers isn’t just a mystery; it’s a story that lingers.

Dhurandhar didn’t fade after its opening weekend. It stayed in conversations, travelled through word of mouth, and quietly became a film people kept talking about. Now, on January 30, it arrives on Netflix, giving many viewers their first chance to watch it at home. The question isn’t whether it was big in theatres, but whether it still hits when the screen gets smaller.

What if your chaotic childhood family suddenly showed up again louder, messier, and somehow older? The Malcolm in the Middle reboot trailer drops hints of nostalgia, heart, and chaos as Malcolm navigates adulthood while his family refuses to calm down. Fans online are emotional, laughing, and tagging siblings. Will Malcolm survive the madness this time?

Stranger Things 5 Vol 2 is here, but instead of thrilling chaos, fans feel uneasy. Unnecessary subplots drag the story; Eleven’s powers seem weaker, and no one feels truly in danger. With the finale just two hours, questions linger, memories remain untold, and emotional arcs feel unfinished. Is this the calm before the ultimate storm, or has the fire already started fading? Fans are watching, anxious, and desperate for answers.

Some years flood us with movies. 2025 feels different, thoughtful, surprising, and emotional. From mythic worlds to small-town laughs, tense power struggles, and quiet, heavy stories, these Indian movies demand to be watched. They’ll make you feel, laugh, gasp, and maybe even carry a piece of them home. Which one will stay with you the longest?

What happens when a Christmas miracle isn’t magical, but terrifyingly real? The Christmas Baby follows a married couple whose quiet holiday changes when a newborn is left on their doorstep. As days pass, care turns into attachment, and love collides with fear, doubt, and impossible choices. Can you protect your heart when someone already depends on it? And what if letting go hurts more than holding on?

When a film is riding high at the box office, the real test isn’t the opening weekend; it’s what happens when something bigger arrives. With James Cameron’s Avatar: Fire and Ash gearing up for release, all eyes are on Dhurandhar. Will the blue giants steal its screens, or has the film already built enough strength to stand its ground?

What started as a strong opening has quietly turned into something much bigger. With Dhurandhar crossing ₹452.1 crore in just 14 days and holding firm on working weekdays, the big question feels unavoidable now: can this box office juggernaut really push its way to the ₹1000 crore club?

When Border 2 dropped its first poster, it didn’t just announce a film it stirred memories. Sunny Deol in uniform brought back packed theatres, claps, and that lump in the throat only Border could create. But one question quickly followed: is this story taking us back to Longewala, or is Border 2 ready to tell a new war story?

Rumors are flying that Dhurandhar 2 has been pushed from its March 19 release to August 2026, leaving fans confused and slightly panicked. With no official confirmation from the makers, the internet is once again jumping ahead of facts. So is the delay real, or just another case of online speculation spiraling out of control?

Thank God: Christmas at Keller Ranch isn’t trying to reinvent holiday movies; it's here to wrap you in a blanket, hand you cocoa, and remind you why we fall for these cozy stories every December. With heartfelt moments, ranch-side charm, and just enough emotional healing to make you tear up a little, this post-release review breaks down exactly why this film feels like a gentle hug you didn’t know you needed.

What if love returned without the heartbreak? Have We Met This Christmas? explores this tender question with warmth, humor, and gentle emotion. Danica McKellar and Jesse Hutch shine in a cozy story that may be predictable, but leaves your heart quietly full by the end.

Dhurandhar feels unsettled because it mirrors reality a little too closely. While the film never names real people, viewers see familiar patterns that echo figures like Rehman Dakait and Uzair Baloch. It is not about copying real lives, but about showing how power, fear, and broken systems can repeatedly shape the same kind of story.

2025 isn’t slowing down; the biggest movies of the year are still on the way. From Avatar: Fire and Ash to mysteries, horror, rom-coms, and pure chaos, here are the five films that could flip the rest of the year on its head.

Golden Globes 2025 is here, and the nominations are a mix of “of course they made it” and “wait, how did that happen?” Some films arrived like they already won, while others slipped in like a surprise guest at the party. From animated heartbreaks to TV chaos and streaming battles, this year has it all. So, be honest, did your favourite finally get the recognition it deserves, or are you about to start a friendly rant?

Christmas at the Inn slips in quietly and ends up saying more than the flashier holiday romances ever try to. What starts as a routine trip home turns into an unexpected second chance when a long-forgotten blind date walks back into Beth’s life. It’s warm, a little awkward, and full of those small moments that feel like real holiday magic, the kind that doesn’t shout, just waits to be noticed.

Christmas at Mistletoe Manor doesn’t come wrapped in loud romance or holiday sparkle. It takes its time, letting two guarded people stumble into warmth they didn’t expect. With old letters, quiet healing, and a manor that feels alive with memory, this story isn’t about big moments; it’s about the small ones that stay with you long after the lights fade.

Political thrillers don’t need noise to scare you they just whisper the truth. Dhurandhar does exactly that, turning every smile into a secret and every decision into a threat. If it left you wanting more stories built on power plays, hidden motives, and people who protect the country without applause, these picks will keep you thinking long after the credits roll.

Dhurandhar doesn’t ask for our time just to fill it. It stretches its story the way infiltration stretches a life slowly, painfully, and with intent. That’s why audiences aren’t complaining about its length online; they’re defending it, calling it “long but strong,” because every minute adds pressure instead of padding.

Sean Combs: The Reckoning isn’t loud or flashy, but that’s exactly why it hits so hard. The documentary moves with a quiet weight, letting the stories and the silences speak for themselves. It’s a heavy, restrained, and unsettling watch that lingers long after the credits roll because it refuses to turn real pain into spectacle.